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Format: 02/21/2017

Friday, February 17 2017

Miljohn Ruperto: 'Geomancies' at REDCAT

January 14, 2017 - March 12, 2017
Saturday, January 14, 2017 - 9:00am - Sunday, March 12, 2017 - 6:00pm

REDCAT: Opening Reception: Sat. January 14 6-9 pm

The cross-disciplinary work of Los Angeles-based, Philippine artist Miljohn Ruperto includes photography, cinema, performance and digital animation. His work refers to historical and anecdotal occurrences, and speculates on the nature of assumed facts and construction of truth. He creates illusory images and disconcerting effects that challenge the viewer’s perception.

Geomancies consists of a film, a series of photographic and video works, as well as a new performance piece. Ruperto works with the concepts of possession, opposition and metamorphosis as common themes and as a background for the exhibition´s narrativeThe work investigates the constant battle waged by humans to control nature. Modifications of the landscape and the economic exploitation of nature are counteracted by its unexpected force and how it affects the course of history.

The centerpiece of the exhibition, Ordinal (SW/NE), 2017, is an experimental documentary created with filmmaker Rini Yun Keagy. The film traces the cultural and environmental influences of a soil-dwelling, pathogenic fungus, Coccidioides immitis, and its associated disease, valley fever, in California's Central Valley. Interweaving past, present and mythological time, the film draws upon historical and cultural references, including the plight of migrants during the Depression, the spread of the disease in recent years, contemporary theories of climate change, and the significance of the desert wind in ancient Assyria. In Ruperto and Keagy’s film, natural phenomena remain neutral, fleeing from any kind of judgment and avoiding binary oppositions of positive and negative, destruction and regeneration, life and death.

Driving South at Sunset. The Camera Faces East  (2007) is a short video of a woman driving south on Interstate Highway 5 toward San Diego. She stares into the distance, intermittently singing a country song about heartache.  The camera faces east, blocking the sunset.  The rigid axis of the camera and the horizon with the North to South direction of the vehicle's movement is broken up by the woman's oblique focus, weaving in and out of song.

The exhibition also features Re-animating "Valley Turbulence" by Sam Chase (2016). For this piece, Ruperto animated the photograph taken by Chase, who was then an employee of Chevron, to create a loop. The video illustrates the massive dust storm that buried the south of the San Joaquin Valley and caused severe damage to the area. Meteorological phenomena, the video suggests, cannot be managed, controlled or captured by human technology.

In line with these film and photographic works, Ruperto presents a new performance, in which the empty space itself is an essential part of the atmospheric construction of the exhibition. Possession (2017) makes direct reference to the cult film Possession (1981) by Andrzej Żuławski, and the memorable scene of actress Isabel Adjani suffering a convulsive seizure in the subway station. In Ruperto’s piece, two actors re-enact Adjani’s performance in synchronous mirror symmetry. The actress’ hysterical scene is meticulously mapped out in an attempt to outline the perimeter of her subjectivity. 

This exhibition is accompanied by a public program and regular performances in the gallery.

About the artist:

Miljohn Ruperto (b. 1971 Manila, the Philippines) received his M.F.A. from Yale University in 2002 and his B.A., Studio Art from University of California, Berkeley in 1999. Recent exhibitions featuring his work include: Nervous Systems, Haus der Kulturen der Welt, Berlin; Afterwork, Para-Site, Hong Kong; The As-if Principle., Magazin4 Bregenzer Kunstverein, Austria; 2014 Whitney Biennial, Whitney Museum of American Art, New York; Janus, Dunlop Art Gallery, Regina Public Library, Saskatchewan, Canada; Ulrik Heltoft and Miljohn Ruperto, Voynich Botanical Studies, Thomas Solomon Gallery, Los Angeles, CA; Made in L.A., The Hammer Museum, Los Angeles, CA; and Picture Industry (Goodbye to All That), organized by Walead Beshty, Regen Projects, Los Angeles, CA. Ruperto lives and works in Los Angeles, CA.

Last edited by rsdavid on Jan 09, 2017

Art School Gallery Exhibitions

February 13, 2017 - February 17, 2017
Monday, February 13, 2017 - 9:00am - Friday, February 17, 2017 - 5:00pm

D300 Gallery: Ingrid Espitia  MFA 2 ART

D301 Gallery: Brittany Kyle MFA 2 ART AND TECH

L-Shape Gallery: Enrique Cabral BFA 4 PHOTO/MEDIA

Main Gallery: Shelby Poor MFA 1 PHOTO/MEDIA

A402 Gallery: Noah Malone BFA 4 ART

Lime Gallery: Peter Tran BFA 4 PHOTO/MEDIA

Mint Gallery: Shelby Amses BFA 4 PHOTO/MEDIA

Last edited by Belmer on Oct 24, 2016

M I G R A T I O N: James Vitz-Wong + Sean Renner's Mid-Residence Recital

February 17, 2017
Friday, February 17, 2017 - 8:00pm - 10:00pm

MUSIC: A night of original acoustic and electronic compositions by James Vitz-Wong (MFA1) and Sean Renner (MFA1).

Last edited by dstears on Feb 08, 2017

CalArts School of Theater Presents: 'The Hendrix Project'

February 17, 2017 - February 25, 2017
Friday, February 17, 2017 - 8:00pm - 10:00pm
Saturday, February 18, 2017 - 2:00pm - 4:00pm
Saturday, February 18, 2017 - 8:00pm - 10:00pm
Tuesday, February 21, 2017 - 8:00pm - 10:00pm
Wednesday, February 22, 2017 - 8:00pm - 10:00pm
Thursday, February 23, 2017 - 8:00pm - 10:00pm
Friday, February 24, 2017 - 8:00pm - 10:00pm
Saturday, February 25, 2017 - 8:00pm - 10:00pm

CalArts, E407

THEATER: The show takes audiences back to New Year's Eve 1969, joining the audience of Jimi Hendrix's historic concert, his last with the company. Directed by Roger Guenveur Smith.

Purchase Tickets

Last edited by dstears on Feb 13, 2017

Junot Díaz at REDCAT

February 17, 2017
Friday, February 17, 2017 - 8:30pm

REDCAT: “Díaz’s standout fiction is electric with passionate observations and off-the-charts emotional and social intelligence.” – Booklist

“Readers will remember why everyone wants to write like Díaz, bring him home, or both.” – Publishers Weekly

Co-presented with the CalArts Creative Writing Program

Junot Díaz, this year’s Katie Jacobson Writer in Residence at CalArts, writes dynamic fiction that includes the debut collection, DrownThe Brief Wondrous Life of Oscar Wao, which won the 2008 Pulitzer Prize for Fiction and the National Book Critics Circle Award; and This Is How You Lose Her, a New York Times bestseller and National Book Award finalist. He is the recipient of a MacArthur “Genius” Fellowship, PEN/Malamud Award, Dayton Literary Peace Prize, Guggenheim Fellowship, and PEN/O. Henry Award. Díaz, the Nancy Allen Professor of Writing at the Massachusetts Institute of Technology, is also recognized for his activism and advocacy on behalf of immigrants and writers of color. 

Purchase Tickets

Last edited by rsdavid on Feb 13, 2017
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