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Format: 02/21/2017

Wednesday, February 1 2017

Miljohn Ruperto: 'Geomancies' at REDCAT

January 14, 2017 - March 12, 2017
Saturday, January 14, 2017 - 9:00am - Sunday, March 12, 2017 - 6:00pm

REDCAT: Opening Reception: Sat. January 14 6-9 pm

The cross-disciplinary work of Los Angeles-based, Philippine artist Miljohn Ruperto includes photography, cinema, performance and digital animation. His work refers to historical and anecdotal occurrences, and speculates on the nature of assumed facts and construction of truth. He creates illusory images and disconcerting effects that challenge the viewer’s perception.

Geomancies consists of a film, a series of photographic and video works, as well as a new performance piece. Ruperto works with the concepts of possession, opposition and metamorphosis as common themes and as a background for the exhibition´s narrativeThe work investigates the constant battle waged by humans to control nature. Modifications of the landscape and the economic exploitation of nature are counteracted by its unexpected force and how it affects the course of history.

The centerpiece of the exhibition, Ordinal (SW/NE), 2017, is an experimental documentary created with filmmaker Rini Yun Keagy. The film traces the cultural and environmental influences of a soil-dwelling, pathogenic fungus, Coccidioides immitis, and its associated disease, valley fever, in California's Central Valley. Interweaving past, present and mythological time, the film draws upon historical and cultural references, including the plight of migrants during the Depression, the spread of the disease in recent years, contemporary theories of climate change, and the significance of the desert wind in ancient Assyria. In Ruperto and Keagy’s film, natural phenomena remain neutral, fleeing from any kind of judgment and avoiding binary oppositions of positive and negative, destruction and regeneration, life and death.

Driving South at Sunset. The Camera Faces East  (2007) is a short video of a woman driving south on Interstate Highway 5 toward San Diego. She stares into the distance, intermittently singing a country song about heartache.  The camera faces east, blocking the sunset.  The rigid axis of the camera and the horizon with the North to South direction of the vehicle's movement is broken up by the woman's oblique focus, weaving in and out of song.

The exhibition also features Re-animating "Valley Turbulence" by Sam Chase (2016). For this piece, Ruperto animated the photograph taken by Chase, who was then an employee of Chevron, to create a loop. The video illustrates the massive dust storm that buried the south of the San Joaquin Valley and caused severe damage to the area. Meteorological phenomena, the video suggests, cannot be managed, controlled or captured by human technology.

In line with these film and photographic works, Ruperto presents a new performance, in which the empty space itself is an essential part of the atmospheric construction of the exhibition. Possession (2017) makes direct reference to the cult film Possession (1981) by Andrzej Żuławski, and the memorable scene of actress Isabel Adjani suffering a convulsive seizure in the subway station. In Ruperto’s piece, two actors re-enact Adjani’s performance in synchronous mirror symmetry. The actress’ hysterical scene is meticulously mapped out in an attempt to outline the perimeter of her subjectivity. 

This exhibition is accompanied by a public program and regular performances in the gallery.

About the artist:

Miljohn Ruperto (b. 1971 Manila, the Philippines) received his M.F.A. from Yale University in 2002 and his B.A., Studio Art from University of California, Berkeley in 1999. Recent exhibitions featuring his work include: Nervous Systems, Haus der Kulturen der Welt, Berlin; Afterwork, Para-Site, Hong Kong; The As-if Principle., Magazin4 Bregenzer Kunstverein, Austria; 2014 Whitney Biennial, Whitney Museum of American Art, New York; Janus, Dunlop Art Gallery, Regina Public Library, Saskatchewan, Canada; Ulrik Heltoft and Miljohn Ruperto, Voynich Botanical Studies, Thomas Solomon Gallery, Los Angeles, CA; Made in L.A., The Hammer Museum, Los Angeles, CA; and Picture Industry (Goodbye to All That), organized by Walead Beshty, Regen Projects, Los Angeles, CA. Ruperto lives and works in Los Angeles, CA.

Last edited by rsdavid on Jan 09, 2017

Art School Gallery Exhibitions

January 30, 2017 - February 3, 2017
Monday, January 30, 2017 - 9:00am - Friday, February 3, 2017 - 5:00pm

D300 Gallery: Blake Jacobsen BFA 4 PHOTO/MEDIA

D301 Gallery: Joel Orozco BFA 4 PHOTO/MEDIA

L-Shape Gallery: D'Angelo Christian BFA 4 PHOTO/MEDIA

Main Gallery: CLOSED

A402 Gallery: John Wu MFA 2-1 PHOTO/MEDIA

Lime Gallery: Courtney Kimmey BFA 4 PHOTO/MEDIA

Mint Gallery: Clara Philbrick BFA 4 ART

Last edited by Belmer on Jan 26, 2017

Abe and Diego's Magical Mid-Residence Recital {Legendary}

February 1, 2017
Wednesday, February 1, 2017 - 8:00pm - 10:00pm

CalArts, Roy O. Disney Music Hall

MUSIC: Concert of original works and multimedia expression of ambient life by 2 ambient people.

Last edited by dstears on Jan 30, 2017

Lauren Berlant: 'Humorlessness/Politics' at REDCAT

February 1, 2017
Wednesday, February 1, 2017 - 8:30pm

REDCAT: “Berlant gives us something like a how-to guide for living in the impasse, that is, the affective and political conditions of our present.” – Michael Hardt

In the first of two talks, current CalArts Theorist in Residence Lauren Berlant addresses “humorlessness” as ontology, performance, and affect; and as threat and aspiration. She asks how the encounter with humorlessness structures the political scene and style of encounter, and how the encounter with it changes according to where people are in a relation of power. A companion piece, “Humorlessness/ Comedy,” will be presented two nights later, on February 3, at the West Hollywood Library. Berlant is the George M. Pullman Distinguished Service Professor at the University of Chicago. Her most recent books are Cruel Optimism (2011); Desire/Love (2012); and with Lee Edelman, Sex, or the Unbearable (2014)Berlant’s earlier “National Sentimentality Trilogy” comprises The Anatomy of National Fantasy (1991), The Queen of America Goes to Washington City (1997) and The Female Complaint (2008). 

Purchase Tickets

Last edited by rsdavid on Jan 30, 2017
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