Prometheus Bound in The Hollywood Progressive
September 5, 2013
Wheel of Misfortune: The Black Prometheus
By Ed Rampell
Every once in a great while audiences have that rare opportunity to experience a profoundly sublime work that dares to express “the big idea.” The Getty Museum, CalArts Center for New Performance and Trans Arts’ co-production of Aeschylus’ Prometheus Bound is this theater season’s exceptional undertaking of transcendent artistry with insight into and about the human condition and spirit.
What this creative team has done is the epic transposing of a 5th century B.C. classic written at the dawn of drama into a 21st century context, rendering the ancient avant-garde with some high tech stagecraft Aeschlus, Euripides, Sophocles, Socrates, Plato and even Zeus himself would have marveled at. With this updating the cast and crew have lost none of the flavor and potency of Aeschylus’ tragedy first performed around 450 B.C., but rather make antiquity’s enduring play relevant for contemporary (amphi)theatergoers. In doing so, they have quite arguably created nothing less than a modern masterpiece. Read More.