Profile of artist and Calarts Alumnus Eric Fischl
August 18, 2013
Left Bank Art Blog
Tales of Two Artists: Alex Katz and Eric Fischl
By Carl Belz
Invented Symbols by Alex Katz. Charta/Colby College Museum of Art, 2012.Bad Boy: My Life On And Off The Canvas by Eric Fischl and Michael Stone. Crown, 2012.
How do we currently write current art’s history? How, given its elastic chronology and ever-widening geographic reach, its self-consciously elusive look, the multiple urges and identities and media it comprises? How, in the absence of a canon of artists around whom a history might be structured, its sources and development traced, its context established, its achievements described? How, in the face of its censure on quality distinctions, its scapegoating of formalism, its dismissal of originality and artistic intent? How, in other words, do we write art’s history within the broader context of postmodernism’s prevailing hegemony?
Our unwieldy culture and its academic strictures increasingly nudge us to write the history of current art not from the outside in but from the inside out, personally and informally, more often than not via the autobiography and the memoir, genres rooted in direct experience that is unique to the individual writer. In doing so, our voices may be unauthorized by institutional structures, but likewise are they unfettered by those structures and the conventions they embody. In the publications considered here those voices richly inform our understanding not of any classroom theory about art’s making but of its day-to-day studio practice – the actual source material upon which any history of painting during the second half of the 20th Century in New York City must ultimately be based. Read More.